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Moving Socially with Choreographer Mette Ingvartsen

11 September 2023

For twenty years, choreographer Mette Ingvartsen has been creating socially and politically engaged performances. The key question she raises is whether we can create a world that revolves around joy and pleasure rather than repression of desires.

Alexander Vantournhout Moves Between Dance and Circus

3 September 2020

Is Alexander Vantournhout bringing dance, circus, acrobatics or performance art to the table? His performances show influences from various disciplines and are a constant exploration of the possibilities of the body. Even though it is preceded and informed by thorough study, a certain lightness prev

P.A.R.T.S. Makes the World Dance for 25 Years

2 September 2020

On 4 September 2020, it will be exactly 25 years since the international renowned dance school P.A.R.T.S. opened its doors in Brussels. Many alumni can be seen on important stages all over the world or hold leading positions in several European schools for contemporary dance.

The Voyeuristic Universe of Peeping Tom

21 August 2019

Being so popular abroad that your local roots are barely there: it happened to Peeping Tom. The performances of this Brussels company are made up of an unusual mix of hyper-realistic settings and physical surrealism, virtuoso dancers and local extras. The strongly associative composed productions re

Big Issues for Young People: Maas Theater and Dance

20 June 2019

Rotterdam-based Maas Theater and Dance, the only Dutch youth theatre company with its very own playhouse and programming, is known for staging extraordinary productions. Their performances are aimed at young people, but equally at adults who are willing to let their inner child come out and play.

A Black Lion of Flanders

15 May 2019

Within the confines of society’s norms and expectations, Roland Gunst – half Flemish, half Congolese – uses installations, performances, film and video to explore the search for his own identity. He has travelled from rage to reconciliation. Flandria is his first musical theatre performance.

Voetvolk: Surrender Without Submission

24 April 2019

The first thing you notice about Lisbeth Gruwez is her physical presence, she is extraordinarily mobile yet sophisticated, without ever becoming artificial. Like a plant working its way through soil and bushes, her body explores and conquers the spaces she enters. She can never sit still long either

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