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Lin An Phoa: Posing Is More Than Adopting a Pose and Holding It

14 February 2025

Eighteen young Flemish and Dutch authors drew inspiration from the collection held by the Mauritshuis in The Hague. They looked at seventeenth-century paintings through the lens of an alternative history which they then brought to life in short but powerful texts. Lin An Phoa wrote a poem in respons

Jan Wester: Flesh-Coloured Empty Space, Bottom Left

7 February 2025

Eighteen young Flemish and Dutch authors drew inspiration from the collection held by the Mauritshuis in The Hague. They looked at seventeenth-century paintings through the lens of an alternative history which they then brought to life in short but powerful texts. Jan Wester was inspired by Johannes

Naomi van Kleef: Give Me Your Teeth, Dear

27 January 2025

Eighteen young Flemish and Dutch authors drew inspiration from the collection held by the Mauritshuis in The Hague. They looked at seventeenth-century paintings through the lens of an alternative history which they then brought to life in short but powerful texts. The teeth that painter Albert Eckho

Stefanie Parisius-Sewotaroeno: Material

17 January 2025

Eighteen young Flemish and Dutch authors drew inspiration from the collection held by the Mauritshuis in The Hague. They looked at seventeenth-century paintings through the lens of an alternative history which they then brought to life in short but powerful texts. Stefanie Parisius-Sewotaroeno wrote

L. J. De Brouwer: Girl Eating Oysters

10 January 2025

Eighteen young Flemish and Dutch authors drew inspiration from the collection held by the Mauritshuis in The Hague. They looked at seventeenth-century paintings through the lens of an alternative history which they then brought to life in short but powerful texts. Inspired by Girl Eating Oysters by

Helen Weeres: Barking Dogs

17 December 2024

Eighteen young Flemish and Dutch authors drew inspiration from the collection held by the Mauritshuis in The Hague. They looked at seventeenth-century paintings through the lens of an alternative history which they then brought to life in short but powerful texts. Helen Weeres gives a voice to the p

Lennert De Vroey: Bleaching Fields Outside Haarlem

5 December 2024

Eighteen young Flemish and Dutch authors drew inspiration from the collection held by the Mauritshuis in The Hague. They looked at seventeenth-century paintings through the lens of an alternative history which they then brought to life in short but powerful texts. Lennert De Vroey wrote a song in re

Roelant Savery Painted the Emperor’s Wondrous World

5 April 2024

Mauritshuis in The Hague is paying tribute to Roelant Savery with 43 paintings and drawings. As a court painter in the service of Emperor Rudolf II of Habsburg, the seventeenth-century master feasted his eyes on lions, flowers from every corner of the world and the legendary dodo as well, capturing

Still Life with Cheeses, Almonds and Pretzels by Clara Peeters

9 January 2024

Each month we introduce you to one of the hundred exceptional masterpieces of early modern Dutch and Flemish art (1350-1750) selected by museum curators from around the world for the CODART Canon. This time, all eyes are on Still Life with Cheeses by Clara Peeters.

Everything Feels Uneasy About This Exhibition on Looted Art

10 November 2023

The Mauritshuis in The Hague is displaying art objects that were once stolen by French troops, colonists or Nazis, confronting you with their past and future. Here, the question is not so much about what is present but more about who isnt.

200 Years Mauritshuis – An Eventful History

21 June 2022

You can admire Johannes Vermeers world-famous Girl with a Pearl Earring there, as well as masterpieces by Rembrandt, Rubens and Frans Hals. With its large collection of works from the Golden Age, Mauritshuis in The Hague has been one of the most important museums in the Netherlands for the last t

Torn Between Conflicting Interests, Museums Are Looking for a New Role

22 February 2022

Today, museums are being confronted with a number of challenging societal, historical and ethical questions. They find themselves caught in an area of tension between diverse and often conflicting interests. Many museums keep stubbornly looking for a brand-new role. Is there a way out?

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