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High Road to Culture in Flanders and the Netherlands
CODART – the international network of curators of early modern Dutch and Flemish art – is celebrating its 25th anniversary this year. To mark this joyous occasion, every month we introduce you to one of the hundred exceptional masterpieces (1350-1750) selected by museum curators from around the world for the CODART Canon.
'The Diptych of Maarten van Nieuwenhove' by Hans Memling is one of the hundred masterpieces of early modern Dutch and Flemish art in the CODART Canon.
‘Still Life with Cheeses, Almonds and Pretzels’ by Clara Peeters is one of the hundred masterpieces of early modern Dutch and Flemish art in the CODART Canon.
The monumental painting ‘Fall of the Rebel Angels’ by Frans Floris is one of the hundred masterpieces of early modern Dutch and Flemish art in the CODART Canon.
‘Breakfast Piece’ by Pieter Claesz. is one of the hundred masterpieces of early modern Dutch and Flemish art in the CODART Canon.
‘The Tomb of Mary Burgundy’ is one of the hundred masterpieces of early modern Dutch and Flemish art in the CODART Canon.
‘The Iconography’ by Anthony van Dyck is one of the hundred masterpieces of early modern Dutch and Flemish art in the CODART Canon.
‘The Spinario’ by Jan Gossart is one of the hundred masterpieces of early modern Dutch and Flemish art in the CODART Canon.
The ‘Saint George Altarpiece’ by Jan Borman is one of the hundred masterpieces of early modern Dutch and Flemish art in the CODART Canon.
‘A Pair of Wedding Gloves’ is one of the hundred masterpieces of early modern Dutch and Flemish art in the CODART Canon.
‘Triptych of the Last Supper’ by Dieric Bouts is one of the hundred masterpieces of early modern Dutch and Flemish art in the CODART Canon.
‘The Dollhouse of Sara Rothé’ is one of the hundred masterpieces of early modern Dutch and Flemish art in the CODART Canon.
'Enclosed Garden with Saints Elisabeth, Ursula and Catharina' is one of the hundred masterpieces of early modern Dutch and Flemish art in the CODART Canon.
