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Volume 68 (2018) of the Netherlands Yearbook for History of Art appeared.
The Millennium Iconoclast Museum of Art wants to present “cultural history 2.0”. That's why it has been rethought as a computer game.
The Flemish Art Collection has launched a new website dedicated entirely to the life and work of Pieter Bruegel the Elder.
Wouter Paijmans recently exchanged the brush for needle and thread. Still, the painterly approach can be seen in his 'confection paintings'.
Derek Blyth lets himself be overwhelmed by the multi-talent Rubens. Or is it by his love for the human flesh?
A Year on the Post is a series of interviews with cultural attachés about their experiences. This edition: Friso Wijnen in Paris.
Dutch art often appears in debates about identity, and this always happens in terms of what is 'own' and 'foreign' to it. Rembrandt in particular turns out to be very 'malleable'.
In his playful works Kasper Bosmans investigates histories of traditions and objects creating new narratives to offer a critical view on cultural and political relics.
London and the music industry dominate the Dutch cultural production in the United Kingdom. But it is well worth looking beyond the capital and discover new opportunities.
Portrait of a Flemish metal band that far exceeds the genre and puts bandages on gaping wounds.
Through collaborations with a wide variety of artists Robbrecht & Daem have managed to develop their own specific voice in which the history of architecture resounds in a most poetic way.
